Bruno Ferrandis began his tenure as
music director and conductor of the Santa Rosa Symphony
in Fall 2006. Born in Algiers in 1960 and raised in Nice,
France, Ferrandis lives in Paris, and will take up residence
in Sonoma County beginning in the 2007-2008 Symphony
season. He has conducted all over the world, and his
breadth of musical experience includes not only symphony
and opera, but also ballet, musical theater and cinema-accompanying
music.
A graduate of the Guildhall School of
Music and Drama in London, he received a master’s
degree in conducting from the Juilliard School. He was
conductor of the Juilliard Pre-College Orchestra and
the Juilliard Opera Center. He also co-founded the New
Music ensemble “Music Mobile” in New York
City, and has recorded three compact discs with the Radio
France Orchestra.
Conducting credits include modern and
classical ballet companies in New York City, France and
Italy. In Asia, he conducted the Hong Kong Philharmonic
and the Hong Kong Sinfonietta, The Seoul Philharmonic,
and worked with the Tokyo New National Theater. In Israel,
he conducted the Jerusalem Symphony Orchestra; in Eastern
Europe, the Polish Radio Orchestra, the Prague State
Theater Orchestra, the Belgrade Philharmonic Orchestra;
in Great Britain, the BBC Northern Orchestra; in Germany
and Austria: the Lübeck Hanseatic Orchestra, the
Mainz Bach Chor, the Wien Klang Forum; in Italy, the
Orchestra Regio di Torino, the Opera of Genoa Orchestra,
the Friuli-Venezia-Giulia Orchestra; in Spain, the Pamplona
Sarasate Orchestra, the Madrid Radio-Television Orchestra,
the Seville Symphony Orchestra, the Valencia Orchestra.
In France, he has conducted in all the major cities including
Bordeaux and the Monte Carlo Philharmonic Orchestra.
In 1997 he received a “Critic’s Grand Prize” for
his conducting of Wozzeck by Manfred Gurlitt.
In North America, Ferrandis conducted
major opera works at the Canadian Opera Company (Toronto)
and served as Music Director of the Banff Art Center
(Alberta) from 1991 to 2000. And he conducted numerous
concerts with the Aspen Festivals Orchestras until 1994.
Ferrandis has also collaborated with
a wide variety of entertainment artists such as the actors
and movie directors John Neville, Atom Egoyan, Colm Feore,
Robert Lepage, François Girard, Stephen Wadsworth
and choreographer Martha Clark.
And he has worked closely with the following
living composers: in America with Jacob Druckman (created
a workshop of his opera Medea), William Schuman, David
Diamond, George Tsontakis, Edward Campion and Ezequiel
Vinao; in Canada with Randolph Peters and Harry Sommers
(their operas); in France and Europe with Martin Matalon
(the music for Fritz Lang’s movie Metropolis),
Mauricio Kagel and his lively music theater (Warsaw Autumn
Festival), Ahmed Essyad (Oratorio for the Theater Festival
in Avignon, France), Claude Ballif, Yves Prin, Pascal
Dusapin, and celebrated composers Pierre Boulez and Luciano
Berio.
Bruno Ferrandis speaks his native
French, as well as Italian, Spanish, German, and Russian.
He also studies ancient Hebrew and ancient Greek to
allow reading of the great texts of biblical and mythological
times.